Roland MIxer Audio M-300. Digitale 32 ch a rack per V

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Digital Mixer M-300
Mixer digitale 32ch a rack per V-Mixing System

L’evoluzione compatta dell’M-400/380
Formato rack standard 19” compatibile
Nuove soluzioni di accesso ai menu e alle funzioni
Connessione diretta ai Digital Snake utilizzando cavi Ethernet
standard
- 4 IN XLR, 4 IN JACK-TRS, 4 IN RCA
- 4 OUT XLR, 4 OUT JACK-TRS
- Display ad alta definizione
- 16 + 1 Fader motorizzati da 100mm
- Layout ispirato alla channel strip dei mixer analogici
- registrazione e riproduzione su memoria USB in formato
WAVE
- 32 canali, LCR, 8 AUX, 4 Matrici

Powerful, Compact Mixing An innovative console that fits anywhere. Easy to operate. Incredible sound.
Roland introduced the modern V-Mixing System to the world in 2007. The V-Mixing System incorporates several models of V-Mixer Live Mixing Consoles, Digital Snakes for advanced digital audio transmission, the M-48 Personal Mixing System and the SONAR REAC Recording System for multi-channel recording. The V-Mixing System has been embraced the world over because of its high-quality sound, powerful features, extensibility and ease of operation. V-Mixing Systems are currently in use in live venues, touring and production, television and radio broadcasting/recording, as well as concert halls, educational institutions and houses of worship.
The M-300 V-Mixer expands the number of V-Mixing System applications with a compact, highly portable chassis useable in any type of situation. The M-300 builds on the core V-Mixer feature set to represent the highest levels of performance at a breakthrough price.

    * 32 mixing channels, L/C/R outputs, 8 AUX buses, 4 Matrices
    * 4-band PEQ and dynamics on all channels
    * 11 different built-in multi-effects/ PEQ and delay on all outputs
    * 24bit AD/DA for high-quality sound
    * Remotely controllable from a PC
    * Record to /playback from USB flash memory
    * Perfectly integrates with the Digital Snake for simple and high-quality audio transmission, distribution, splits and merging
    * Construct a flexible and powerful system by adding the Personal Mixing System, multi-channel recording and other REAC components.

The V-Mixing System Advantage
There are reasons why sound professionals and venues around the globe have chosen the V-Mixing System.

Advantage #1 Superior Sound Quality : Digital Snake
To achieve superior sound quality, the I/O unit(s) (Digital Snake) and the mixer (V-Mixer) are separate. Before A/D conversion, the input enters the discreetly designed, high-quality preamp, which is then digitally transmitted to the mixer over REAC protocol. By having the mic preamps closer to their source and by avoiding the transmission losses of long runs of analog cables, audio has a chance to sound its best throughout the whole system. The system provides superior clear sound, great intelligibility and with the wide range of Digital Snakes and REAC Merge Technology there is incredible flexibility for placement of audio inputs and outputs on-stage, off-stage, at FOH or in amplifier rooms.

Advantage #2 Intuitive User Interface : V-Mixer
Knobs and buttons for Preamp, EQ, and PAN are located on the front panel of the V-Mixer for intuitive, analog-like operation. Dedicated buttons for direct access to the patchbay and effects are also located on the front panel. With the on-board HELP system it's easy to learn and operate the V-Mixer.

Advantage #3 The Musician's Choice for Personal Mixing : M-48
Stage monitoring is crucial in getting the best performance from any artist. The V-Mixing System seamlessly integrates with the M-48 Live Personal Mixer allowing full control of set-up and mixing of any musician’s M-48 directly from the V-Mixer interface. Musician’s around the world have chosen the M-48 as their personal mixing system of choice because of the unprecedented level of control and amazing sound quality.

Advantage #4 Live Recording of Up to 40 Channels : SONAR
The demand for live recording has increased as live sound mixing has become digital. Connecting a PC for recording to the V-Mixing System is a simple Cat5e connection. Live recording of up to 40 channels is easily captured with SONAR DAW software from Cakewalk. Additionally, you can record a master mix directly from the V-Mixer to a USB flash drive.

M-300
PROCESSING
Number of Channels	32 mixing channels/11 buses/4 MATRIX buses/Up to 92 inputs and 90 outputs when using REAC Devices
AD/DA Conversion	24-bit/48.0 kHz or 44.1 kHz
Network Latency	2.8 mS (typ.) 1 Total System Latency of audio signal from S-1608 inputs to outputs via M-300's REAC ports (A or B). * Sample Rate: 48.0 kHz * Effects : No insert effects
CONNECTORS
CONSOLE INPUT jacks (1 to 4)	XLR-3-31 type (balanced, phantom power)
CONSOLE INPUT jacks (5 to 8)	1/4 inch Phone type (balanced)
CONSOLE INPUT jacks (9 to 12)	RCA Pin type
CONSOLE OUTPUT jacks (1 to 4)	XLR-3-32 type (balanced)
CONSOLE OUTPUT jacks (5 to 8)	1/4 inch Phone type (balanced)
PHONES jack	Stereo 1/4 inch phone type
DIGITAL OUT jack	Optical type
REAC port	RJ-45 EtherCon type x 2
USB port	Type A x 1, Type B x 1
Remote Connectors	RS-232C connector: 9-pin D-sub type MIDI connectors (OUT/THRU, IN): 5-pin DIN type
Other Connectors	Grounding terminal AC INPUT connector
INPUT/OUTPUT CHARACTERUSTUCS
Frequency Response	CONSOLE OUTPUT jacks (1 to 8): -2 dB / +0 dB (20k ohms load, +4 dBu) PHONES jack: -3 dB / +0 dB (40 ohms load, 150 mW)
Total Harmonic Distortion + Noise	CONSOLE OUTPUT jacks (1 to 8): 0.05 % (typ., +4 dBu) PHONES jack: 0.05 % (typ., 40 ohms load, 150 mW)
Dynamic Range	CONSOLE OUTPUT jacks (1 to 8): 105 dB (typ.)
Crosstalk@ 1 kHz	CONSOLE INPUT jacks (1 to 4): -80dB (Pad: ON, Input sens: +4 dBu, typ.) CONSOLE INPUT jacks (5 to 12): -80dB (Input sens: +4 dBu, typ.) CONSOLE OUTPUT jacks (1 to 8): -100 dB (typ.) * Sampling frequency is 48 kHz or 44.1 kHz.
Nominal Input Level (Variable)	CONSOLE INPUT jacks (1 to 4): -65 to -10 dBu (Pad: OFF) or -45 to +10 dBu(Pad: ON) CONSOLE INPUT jacks (5 to 12): -28 to +4 dBu
Input Impedance	CONSOLE INPUT jacks (1 to 4): 14 k ohms CONSOLE INPUT jacks (5 to 12): 10 k ohms
Non Clip Maximum Input level	CONSOLE INPUT jacks (1 to 4): +8 dBu (Pad: OFF) or +28 dBu (Pad: ON) CONSOLE INPUT jacks (5 to 12): +22 dBu
Nominal Output Level	CONSOLE OUTPUT jacks (1 to 8): +4 dBu (Load impedance: 10 k ohms)
Output Impedance	CONSOLE OUTPUT jacks (1 to 8): 600 ohms PHONES jack: 100 ohms
Recommended Load Impedance	CONSOLE OUTPUT jacks (1 to 8): 10 k ohms or greater PHONES jack: 8 ohms or greater
Non Clip Maximum Output level	CONSOLE OUTPUT jacks (1 to 8): +22 dBu (1 kHz, 10 k ohms load) PHONES jack: 150 mW + 150 mW (Typ., 1 kHz, 40 ohms load)
Residual Noise Level (IHF-A, typ.)	-88 dBu (All faders: Min)
Equivalent Input Noise Level (E.I.N.)	-126 dBu (Main Fader: Unity, Channel faders: Unity only one channel, Preamp gain: Max)
OTHERS
Display	800 x 480 dots Wide VGA TFT color screen with backlight
Power Supply	AC 115 V, 117 V, 220 V, 230 V, 240 V (50/60 Hz)
Power Consumption	50 W
Size and Weight
Width	470 mm
Depth	483 mm
Height	195 mm
Weight	9.8 kg
Note	(0dBu=0.775Vrms) * XLR type: 1 GND, 2 HOT, 3: COLD * phantom power: DC+48V(unloaded maximum), 14mA(maximum load) (All XLR type inputs) * When a REAC Splitter S-4000D or a switching hub is used in-line with REAC cables, the network latency will increa